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An explanation: Decca and Columbia

As I’m due to be going on holidays on Monday morning, I have two posts that will appear on the blog during next week (a labels gallery and a childrens rarity, I might do an explanation of releases made by a different branch of a record company.  In this case, Decca and Columbia (the story of Columbia records is explained at this post)

 

Whenever I refer to a recording that was released under EMI’s Columbia label, I will refer to this as a “Columbia EMI” release, while anything that was released in the U,S, will be described as an “CBS Columbia” release (in all cases except for imports, I’ll be calling these CBS releases anyway.)

Any American Decca record release that appears on this blog prior to 1952 would be released by EMI.  After 1952, Festival would release all American Decca titles until the latter 60’s (after which the label was re-branded MCA records.)  Astor would distribute these titles until 1982, after which WEA (Warner Music) would release their releases until around late 1992

Incidentally American Decca releases from the early 50’s onwards were never released under that label (only under the Festival Label)

British Decca releases (the label above is from the late 1950’s) would continue to be released by EMI until 1979, after which these titles would be released theough PolyGram until 1998 when Universal Music was founded.  Later in the year, I’ll post the Decca label from a later era.

That’s all for right now.  I’m now on hols.  My next post here will appear on Tuesday morning.

Labels Gallery – Astor Records

here is the first of this month’s galleries, and today, I am posting the label gallery of Melbourne based Astor records. (c. mid 1960’s – 1982)

The label was originally a record division of Radio Corporation (not to be confused with RCA) manufactring record players, radios and televisions (the electronics division closed in the late 60’s)

the first label is for their 45 RPM labels (the LP version had a silver diamond) for their international series dating from the mid 1960’s

the label’s design changed in the 1970’s  to the following design below:

for locally produced releases, the following colourful design was used for both LP’s and singles

in 1977, Astor purchased the record label of engineering and printing company White and Gillespie (W & G records), many of their records were later re-issued by Astor using the above label design.  As I only have one record from this label, I am including this 1960’s era W & G 45 RPM single’s label here

A final note on Astor.  in 1982 Astor’s back catalogue was taken over by PolyGram (now Universal Music)  It is not known whether Universal still has all of Astor (or W&G’s) back catalogue of recordings.

And now, the final post for this month brings us a TV show theme from the mid 1980’s 

 

Title: Super Gran theme – Billy Connolly 

Label: Festival/Stiff Records 

Catalogue Number: K 9647 (Festival) and BUY 218 (Stiff) 

Category: TV Theme 

Side 1: Super Gran Theme 

Side 1 Credits: Produced by Phil Coulter, Remixed by Bob Andrews 

Side 2: Yootha’s Song 

Side 2 Credits: Produced by Billy Connolly, Recorded by Stephen Street at The Fallout Shelter 

  


 

Now this one is a bit of a rarity – the Big Yin singing the theme to a kid’s show 

 This was one of the few shows that ITV affiliate Tyne Tees had produced that had been sold internationally (in Australia, it was part of the Nine Network’s afternoon childrens program “C’mon Kids” (it used to air on Monday’s show) 

the following link (from Wikipedia) will explain the story behind the series 

According to the back cover Festival released this as a ‘limited edition’ release.

 Here is the back cover art:

Here’s my first LP cover entry for Summit

LP: The Official Adventures of Batman and Robin

Category: Childrens/Licensed Characters

Record Label: Summit Flair (under license from PolyGram)

Catalogue Number: FL 2017

Originally released on the Leo the Lion label; Catalogue Number CH 1019

The Cast: Jackson Beck (Narrator), Jack Curtis, Ron Liss, George Petrie, Dan Osko, Ian Martin and Barbara Louis

Directed and Produced by Herb Galewitz

Written by Ronald Liss

Sound Effects: Cinema/Sound Ltd.

Director of Engineering: Val Valentin

Sound Effects Engineer: Tom Courtenay-Clack

Side 1

The Legend of Batman and Robin

Side 2

The Penguin’s Plunder

The Joker’s Revenge

 


This release is (as far as I know) the first licensed record of the caped crusader from around 1966 or 1967.  Less than a decade later, Peter Pan would release a number of records under the Power Records label.

One thing that gets me is the front cover art (green faces! :roll:   What was MGM thinking at this time?)

The LP features Jackson Beck as the narrator (and if memory serves me right, he was also the narrator for Filmation’s “New Adventures of Superman” around this time.)

Incidentally, I have added the label for Summit’s Flair series here.

One Shot record labels part 1

Amongst my new years resolutions this year is to post a minimum of 2 label galleries a month over the year (until I have more or less completed what I intend to post)

Technically my poll from earlier this month was the first lot.  Today, I am posting my second gallery and is part 1 of a gallery of record labels from companies that had a small number of releases.

 the first label comes from a release from record company Endeavour records

I have only seen one release by this company and it was the LP entitled “Reach for the Sky” by Apollo 100

the next label in the gallery is for Landfall Press.  The company had a number of releases between 1974 and 1977.  The following is their custom release label

In part 2, I’ll post a Landfall general release with the Peter Pan records logo. (probably in March)

the next label is for Melbourne based record label, Pisces records (which was released through Astor records (Astor’s gallery is coming soon))

In case if anyone is wondering, yes, it’s the same Johnny Young of  “Young Talent Time” fame.

Here is another one shot.  Impact Music Promotions only had the one release, a compilation LP of disco music (I however have a sneaking suspicion this was a one-shot release of K-Tel (as the address was the same as where K-Tel International had it’s offices at the time.))

and finally, a record company that had three or four releases before finally disappearing into the ether – Omega records.

the label is from a compilation LP of comedy and novelty hits (such as Rod Boucher’s “No Worries Luv”, John Williamson’s first hit “Old Man Emu” and Ray Stevens’ “Bridget the Midget”

 

Baa-Baa Black Sheep

from the sublime to the fluffy…

 

Title: Baa-Baa Black Sheep

“Performed” by “the Singing Sheep”

Record label: Virgin Records

Catalogue Number: BAA 1

category: What the…?

Side 1: Baa-Baa Black Sheep

Side 2: Flock Around the Clock

Credits: Produced by Jeff Mutton.  Special Thanks to Clare Hoare, the Ingworth and Blickling Flock at Ingworth, Aylsham, Norfolk.  Engineered by Andy Wild.


One of the weirdest recordings to be ever released by Virgin records.  Using a synth and samples of sheep bleating, cows mooing and any other animal sound that could be captured, turning a nursery rhyme favourite into a “stars on 45-esque” ripoff.

incidentally, side 2 was an alternate arrangement of the Baa-Baa rhyme.

Strangely enough, this recording would spawn a canine version, barking out howling mad versions of some Beatles hits.  Info on this LP will be coming out later on in the year.

here is another rarity from the HB record label:

LP: The Reluctant Dragon starring Touche’ Turtle and Dum-Dum

Label: Hanna-Barbera Records, catalogue Number HLP 2029

Re-released as DRUM 8217 by EMI in 1977

Starring Bill Thompson as Touche’ Turtle and Daws Butler (?) as Dum-Dum

Side 1:

Part 1 including songs “Touche’” and “Dum-Dum” 

Side 2:

Part 2 including songs “I’m Reluctant”, “It’s a Great Day” and “Smokey the Dragon”


Kenneth Grahame’s tale of “The Reluctant Dragon” given the Hanna-Barbera treatment, starring the voice talents of Bill Thompson as Touche’.

The voice of Dum-Dum is certainly not performed by his original voice, Alan Reed, so I’m taking a stab and thinking it’s probably Daws. (anyone who can confirm or correct my assumption can post a message (no spam please, as it will be automatically deleted)  in the comments section.)

Mighty Mouse to the rescue!

I was originally going to post this a few weeks ago, but I couldn’t find the record until this last weekend (and on top of that, I had temporarily lost my internet connection.  it would have been intended to promote the Paramount DVD release “Mighty Mouse: The New Adventures – the complete series”)

Mighty Mouse to the Rescue (originally released as Mighty Mouse Playhouse)

LP: Mighty Mouse to the Rescue

Label: Metro/Leo the Lion records (re-released by PolyGram in 1975)

Catalogue Number: 2964 046

originally released as: Mighty Mouse Playhouse, Unknown catalogue nunber

Written and Narrated by Tom Morrison, the TV and Cartoon voice of Mighty Mouse

Music by Phillip Scheib

Musical Director: Bill Simon

Produced by Arthur Pine

Side 1

The Green Line

A Date for Dinner

The Watchdog

Side 2

The Sultan’s Birthday Party

Smokey Joe

The Angry Volcano

TerryToons resident story man (and voice of Mighty Mouse) Tom Morrison narrates six adaptations of Terrytoon cartoons (4 Mighty Mouse and two one shots)

the LP I have is a 1975 re-release.  I am not sure whether this record was released under it’s original title of “Mighty Mouse Playhouse” in Australia.  If it was, then EMI would have released this (If this was then please e-mail me the details (visit the “contact” page for the details)).

Now here’s something unusual, a commercial release of a radio station’s jingle

Title: Dr. Dan’s Theme/1990

performed by Dieter Kleeman

Record Label: Festival/Mushroom

Catalogue Number K 10235

Produced by Montana Productions

Executive Producer: Hamish Cameron

Engineered by Al Wright

Recorded by Mark Bergin

Photography by Craig Watkins and Jim Walpole

Jacket Design: Laurie McIntyre

Recorded at Pro Image Post, Sydney


For many years, the Dr. Dan theme was regularly used as a jingle for the Triple M radio network.

such was the popularity of the jingle, listeners wanted to know if it would be released as a single.

the station obliged and was released as a single (both as a 45 RPM single and a CD single.  for some reason I never bought the CD Single, but ended up buying the 45)

If memory serves me correctly, the proceeds for this single went to charity.

the most hard to read record label?

The title says it all for my first poll in the “off the record” blog

Most of these labels had an eye catching design, but it usually meant it would be at the expense of the legibitilty of the label

Before I get stuck into this poll, I have learned that scanning labels usually ended up making the labels lighter (and as a result easier to read.  I have now since learned to fix the colour balance)

the first (and oldest) label in the collection is the original His Masters Voice (HMV) label that was used from the 1940’s until the early 1960’s by EMI

the HMV label - 1940s until the early 1960's

the original label was a darker burgundy colour than this.

THE CARINIA COMPANY (1947-1987)

founded by Polish immigrants in 1947, and originally released recordings from Poland.  The company expanded it’s catalogue to include classical music and recordings from New Zealand based Viking Records and of course, Audio Fidelity

the Carinia Company

for nearly all of it’s LP releases this was the colour combo used (red and silver.  Although I have in my collection a version of this label in Black and Gold)

image number three comes from the Mercury Record catalogue.

Mercury Records - 1981

This label dates from around 1981, and yes it’s the single “Stars on 45″

PYE’S PLUM LABEL

the rarely seen Pye Plum Label

this one is a very rare label.  The reason being any recording that was released on the Pye label in Australia would end up appearing on Astor’s Gold series, so labels like these are rare.

While I’m at it, here is Pye’s successor, PRT (after the license was not renewed by Pye in 1980)

(note to self: never use black text on a red and green label design

Precision Records and Tapes - 1981-mid 80's

Late last year, I posted the label gallery of Hammard, and I noted about the “Aussie” label design. (in case you missed it, here it is:)

the Hammard 1980s label

And finally, the record label of Hollywood studio MGM (this was used from the late 60’s until the mid 70’s when the label was merged with the Polydor catalogue (the Yin Yang seems OK, but was a little bit too dark-ish.))

the Australian release of the MGM label

this is the final list.  Are any of these labels seem to be a little bit hard to read, or can you think of something I may have missed?  If I have, post your suggestion in the comments below.

The poll is now open, and will remain open until 23:59 on New Years Eve 2010 (Australian Eastern Standard Time, 1:59 AM for the southern states (NSW, Vic., Tas.)

BTW, you can vote two labels if you so wish.

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