Tag Archive: Hammard


the most hard to read record label?

The title says it all for my first poll in the “off the record” blog

Most of these labels had an eye catching design, but it usually meant it would be at the expense of the legibitilty of the label

Before I get stuck into this poll, I have learned that scanning labels usually ended up making the labels lighter (and as a result easier to read.  I have now since learned to fix the colour balance)

the first (and oldest) label in the collection is the original His Masters Voice (HMV) label that was used from the 1940’s until the early 1960’s by EMI

the HMV label - 1940s until the early 1960's

the original label was a darker burgundy colour than this.

THE CARINIA COMPANY (1947-1987)

founded by Polish immigrants in 1947, and originally released recordings from Poland.  The company expanded it’s catalogue to include classical music and recordings from New Zealand based Viking Records and of course, Audio Fidelity

the Carinia Company

for nearly all of it’s LP releases this was the colour combo used (red and silver.  Although I have in my collection a version of this label in Black and Gold)

image number three comes from the Mercury Record catalogue.

Mercury Records - 1981

This label dates from around 1981, and yes it’s the single “Stars on 45″

PYE’S PLUM LABEL

the rarely seen Pye Plum Label

this one is a very rare label.  The reason being any recording that was released on the Pye label in Australia would end up appearing on Astor’s Gold series, so labels like these are rare.

While I’m at it, here is Pye’s successor, PRT (after the license was not renewed by Pye in 1980)

(note to self: never use black text on a red and green label design

Precision Records and Tapes - 1981-mid 80's

Late last year, I posted the label gallery of Hammard, and I noted about the “Aussie” label design. (in case you missed it, here it is:)

the Hammard 1980s label

And finally, the record label of Hollywood studio MGM (this was used from the late 60’s until the mid 70’s when the label was merged with the Polydor catalogue (the Yin Yang seems OK, but was a little bit too dark-ish.))

the Australian release of the MGM label

this is the final list.  Are any of these labels seem to be a little bit hard to read, or can you think of something I may have missed?  If I have, post your suggestion in the comments below.

The poll is now open, and will remain open until 23:59 on New Years Eve 2010 (Australian Eastern Standard Time, 1:59 AM for the southern states (NSW, Vic., Tas.)

BTW, you can vote two labels if you so wish.

Hammard – Labels Gallery

tonight, I would like to end 2009 with the first of a regular posting of record labels ((or, at least more regular than it was this year) and probably the first of the hard to read labels, more of which will appear in a later post)

the first of the galleries is for TV promotional record label Hammard (which was in operation between 1974 and 1990)

below is the first label (which appeared on Hammard’s releases from 1974 until about 1979)

The label’s design remained the same (although I have seen the label in either pink (as it was for the 1976 LP “Keep Smiling with Daryl and Ossie”) or blue (as it was for Sally’s second and final LP “A Day in A Life”)

by 1981, Hammard’s second label appeared (and is the first candidate for the first ‘Hard To Read’ label design (despite it’s patriotic design of green and gold.)

finally, the label introduced it’s third label design (which appeared on all Hammard releases from around 1982 until 1990)

For the history of Hammard, please go here

And now, something for the holidays…

Christmas in Australia - Joe Dolce Music Theatre

Performed by the Joe Dolce Music Theatre

Label: Hammard TV Productions

Category: Holiday

Release Number: HAM 065

Produced and Directed by Steve Tyrell

Arranged and Conducted by Chris Dedrick

Starring Joe Dolce as Guiseppi

Guest Stars: Mary Wilson as The Supremes and Joey Perrone as Little Guiseppi (Courtesy of Television House)

Engineers: Ian McKenzie, Robin Gray, Paul Reeve, Jim Burton and Scott Henning

Catering: Bande-Aide Catering

Art Direction: Paul Pantelis

Cartoon Illustration: Neil Curtis

Released: November, 1981


Side 1: Christmas In Australia, I Saw Mommy (Mama) Kissing Santa Claus, Blue Christmas, This Time Of The Year, Christmas Medley: Rudolph The Red Nosed Reindeer, Jingle Bells, Frosty The Snowman, Here Comes Santa Claus, Santa Claus Is Coming To Town, Winter Wonderland, The Little Drummer Boy, Rudolph The Red Nosed Reindeer (reprise)

Side 2: Jingle Bell Rock, Christmas At Our House, The Twelve Days of Christmas, Silent Night, Open Your Heart


This 1981 LP contains a huge collection of Christmas songs by the now seemingly forgotten Joe Dolce (who the previous year had a monster smash hit with the song “Shaddup You Face”.  That single became the most successful single released in Australia (taking in sales of 375,000 copies) beating the previous record holder, The Two Man Band’s AFL anthem “Up There Cazaly” by 125,000)

The LP is a mix of poplar carols (Silent Night) major  Christmas hits (Blue Christmas) and some originals (Christmas in Australia).  My favourtie track on this LP is the Italian flavoured version of “The Twelve Days of Christmas”.

This song (and “Christmas in Australia”) was also released as a single by Polygram.

Hey, Mama's a telling a me a something...

The Great Aussie Joke

Record: The Great Aussie Joke – Maurie Fields and Shane Bourne

Record Label: Hammard

Catalogue Number: HAM 186

Category: Comedy

Also appearing on the LP (not credited, Daryl Somers, Ernie (Ossie Ostrich) Carroll and John Blackman)

Compiled by The Terrace Audio Productions P/L

Engineered by Helen Patullo

Assistant Producer: Suzee Robin

Compiled from “The Great Aussie Joke” Segment of “Hey, Hey, It’s Saturday” – 1988

Released: December 1988 (21 years ago this week, to be precice)

Side 1

The Telegram, Vacuum Salesman, Piggyback, Fingers, The Teacher, The Drunk and the Elephant, The Drover’s Dog, Bath Survey, Australia Post, The Clothesline, What’s Your Name?, The Five Ton Truck, The Gorilla and the Lion, The Barnyard, Ring Back in 10 Minutes, Snakes, Kids on Horses, the Three Hut Island, “The T-Model, the Porsche and the Ferrari”, The Quiz, The Queen of Egypt, Keep Peddaling, The Army Hospital, The Smartest Man in Australia, The Male Sexuality Survey, The Opening Batsman, Two Caterpillars, The Three Legged Chook, How Big is Your Property, Hey Hey It’s Saturday Go To Heaven.

Side 2

The Black Horse, Thanks Donkey, Warrick Capper, The Maternity Hospital, Three Men in Heaven, Explain Yourself, The Diagnosis, The Country Club, Monk It Up!, King of the Jungle, The Farmer, The Fancydress Cow, The Golf Game, The Bald Man, Penguins, The Jewish Flat Hunter, Fluffy the Cat, Three Men and a Firing Squad, David Jones Menswear Dept., Half A Lettuce, The Pet, At The Movies, The Freezer, E. D. K. T. M., Old School Friends, A Man on the Sun, Sulphuric Acid, Geronimo, God Will Save Me, Private Johnson.

 60 jokes sent in by viewers from “The Great Aussie Joke” Segment from Hey, Hey, It’s Saturday. (A “Best of 1988″ collection, so to speak)

This was (to date) the only recording of material taken from the show that has appeared commercially.

on a technical note: This LP was one of the last recordings that was released by Hammard, as the company ceased operations around January 1990.

Hammard TV Productions

Hammard TV Productions (1974-1989)

A 100% Australian owned TV record label, which was in operation from 1975 until 1989.

Unlike companies like K-Tel, the majority of Hammard’s releases were original releases (not relying on previously released material, although they would produce a compilation once in a while)

People who released records under this label included The Seekers, Daryl Somers (of which I’ll have more later on), Don Lane, The Sundowners, and many others.

The company originally started operations as the Hammard Recording Company, changing their name to Hammard TV productions around 1977.

Today, the owner of Hammard back catalogue of recordings is not known.

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