How many kids of my generation (i’m in my mid 40′s) would wake up early on a Saturday morning, and watched this show?
Title: the Main Theme from “Thunderbirds”
performed by The Barry Gray Orchestra
Label: PRT (1980′s pressing)
Catalogue Number 7P 216
with the voice talents of Sylvia Anderson, David Graham and Peter Dyneley
Side 1:
Thunderbirds Theme
Side 2:
Joe 90 theme
Parker - Well Done! (with Sylvia Anderson, David Graham and Peter Dyneley)
(Side 1, Side 2 Track 2, ©1965, Century 21 Productions)
(Side 2, Track 1, ©1968, Century 21 Productions)
the theme to the iconic 1960′s series created by Gerry Anderson.
The EP I have here is a 1980′s pressing (I do not know if the theme was ever released originally on the Pye Label back in the 1960′s). Can someone from the U.K. confirm whether or not the single was ever released by Pye originally? thanks.
Thunderbirds was a regular feature on Saturday mornings in the late 60′s until the early 90′s on Channel 9.
Go! now seems to run Thunderbirds at 6:00 AM (but it seems to be a cut down half hour version)

Record Label: Pye Records
Category: TV Show
Release Number: 7NX 8004
Produced by Jim Henson with the assistance of Peter Harris and Philip Cason
Recorded by Ted Scott and Roger Knight
Producer for Pye Records: Jed Kearnes
Remix Engineer: Larry Bartlett
Sleeve Design: Paul Chase
Orchestra Conducted by Jack Parnell
Musical Associate: Derek Scott
Starring Frank Oz as Miss Piggy and Fozzie Bear and Jim Henson as Kermit The Frog, with the entire Muppet Audience
Side 1: Don’t Dilly Dally On The Way, Waiting at the Church
Side 2: The Boy In The Gallery, Wotcher Knocked ‘Em In The Old Kent Road
Copyrighted: 1977
The Muppet Show (1976-1981) was a half hour of music and mayhem from the creative mind of Jim Henson. and each week would have an international guest star joining in the madness.
Historically, there were three volumes of the Muppet Show released : Volume 1 (UK: NSPH 19, AU: SPLP 1502), Volume 2 (UK: NSPH 21, AU: SPLP 1527) and “The Muppet Show Music Album” (UK: PRAT 18613, AU: SPLP 1580)
However there was one final record, a 45 RPM extended play LP featuring four Music Hall numbers, three performed by Miss Piggy, and one performed by Fozzie Bear
This EP featured songs that originally appeared in the U.K. versions of season 3 of “The Muppet Show”.
My copy was an import EP, and as far as I know, was never released outside of the U.K.

For a history of Pye Records in Australia, go here

One of Britain’s better known record labels of the 1960′s and 1970′s, Pye Records started out life as Nixa Records, until the company was purchased by electronics company Pye Industries (which is now owned by Philips Electronics)
Many recording artists had recorded under this label including Sandy Shaw, Benny Hill (?), Acker Bilk, Max Bygraves and many others.
In the mid 1960′s, Pye was starting to release LP’s based on material that was originally broadcast on the BBC. By the late 1960′s, the BBC set up their own record label (which Pye would distribute throughout the U.K.)
In Australia, Pye Records had an Australian branch in the 1950′s and early 60′s, but the distribution of the label in Australia was taken over by Astor Records shortly after 1962 (and the BBC catalogue (Up until and after the BBC’s association with the company ended) would be distributed by Phonogram (later PolyGram, now the Universal Music Group) until 1994.)
By the late 1970′s, Pye would end it’s contract with the company, and in the 1980′s became the PRT (Precision Records and Tapes) Group. Meanwhile Astor Records merged with PolyGram, so in that case from that point on everything was distributed by the company.
As far as I Know, the current rights holders of the Pye Records back catalogue today is Castle Communications.
New: below is the label for all Australian Pye releases in their singles range

and their LP’s in the Plum label series:



The first volume of songs from the Don Lane Show's backing singers...
LP Title: Touch Me In The Morning
Perfomed by Patchwork
Category: Easy List...
Here is the final cover art for the Highly Esteemed Goon Show Classics LP's
we conclude the series with the 11th and final Goon Show LP released by...
Whatever you do, don't accept an offer of Blackpool Rock from Eccles...
...or the results could be explosive. ;)
LP Title: Goon Show Classics Vo...


the most hard to read record label?
Posted by Bruce on January 8, 2010 in Comments with No Comments
The title says it all for my first poll in the “off the record” blog
Most of these labels had an eye catching design, but it usually meant it would be at the expense of the legibitilty of the label
Before I get stuck into this poll, I have learned that scanning labels usually ended up making the labels lighter (and as a result easier to read. I have now since learned to fix the colour balance)
the first (and oldest) label in the collection is the original His Masters Voice (HMV) label that was used from the 1940′s until the early 1960′s by EMI
the original label was a darker burgundy colour than this.
It’s actually more pronounced on 78′s from the 1940′s, as this label proves below
THE CARINIA COMPANY (1947-1987)
founded by Polish immigrants in 1947, and originally released recordings from Poland. The company expanded it’s catalogue to include classical music and recordings from New Zealand based Viking Records and of course, Audio Fidelity
for nearly all of it’s LP releases this was the colour combo used (red and silver. Although I have in my collection a version of this label in Black and Gold)
image number three comes from the Mercury Record catalogue.
This label dates from around 1981, and yes it’s the single “Stars on 45″
PYE’S PLUM LABEL
this one is a very rare label (as Pye did have offices in Australia in the 1950′s before the distribution was taken over by Astor). when Astor took over the distribution, it would be released under Astor’s Gold Series. So labels like these are rare.
While I’m at it, here is Pye’s successor, PRT (after the license was not renewed by Pye in 1980)
(note to self: never use black text on a red and green label design
Late last year, I posted the label gallery of Hammard, and I noted about the “Aussie” label design. (in case you missed it, here it is:)
New addition: I have decided to add this now as I forgot to add this in the original post. Here is WEA’s Australian Label from the early 80′s
And finally, the record label of Hollywood studio MGM (this was used from the late 60′s until the mid 70′s when the label was merged with the Polydor catalogue (the Yin Yang seems OK, but was a little bit too dark-ish.))
this is the final list. Are any of these labels seem to be a little bit hard to read, or can you think of something I may have missed? If I have, post your suggestion in the comments below.
The poll is now open, and will remain open until 23:59 on New Years Eve 2010 (Australian Eastern Standard Time, 1:59 AM for the southern states (NSW, Vic., Tas.)
BTW, you can vote two labels if you so wish.
Tags: Carinia, EMI, Hammard, PolyGram, PRT, Warner